Then, play the first 8 bars as written and improvise the last 4 bars. Soloing Methods . This cool-sounding scale can jazz up your blues solos in no time. Major Blues Scale Sample Solo. Soloing with the Mixed Blues Scale. There are also a few differences, which I’ll talk about below. Give it a try! By Matt Warnock 02 May 2019. Instead of playing the Dm7b5 chord each time the II chord comes around, we will play its tritone substitution (Ab7) instead.. Form 1. If we would play over a ‘minor blues’-progression (with for instance the chords Am7, Dm7 and Em7) we can’t use the major pentatonic scale. Major/Minor Pentatonic Blues Soloing . Minor Blues Progression 2. You have to understand how chords function in chord progressions of jazz standards. pentatonic scale when soloing over a ‘major blues’ (which means we are playing over a blues progression in a major key with dominant 7th-chords, such as A7, D7 and E7). In the next progression, we will insert a common substitution over the II chord in bars 9 and 12. There are actually quite a few variations of the minor blues progression out there. The Ab7 chord resolves smoothly down by a half-step to the G7alt chord that follows it each time it is played. Shares (Image credit: Cindy Moorhead) Learning to play the blues in a jazzy style means stepping outside the minor blues scale and exploring other melodic options in your solos. I’ll also demonstrate how to put the progression together in a couple different keys, and go over some blues tunes that use this progression. soloing over I-IV-V blues progression (E-A-B) Ask Question Asked 5 years, 11 months ago. Here is a sample solo over a G blues chord progression. Developing different methods of soloing over ii-V-I changes will help you improvise in any live situation. You can see there are some common notes - A, D and E being them.Theoretically, if you only played these, they would work over all 3 chords. In B, the minor blues scale notes are B, D, E, F, F#, A. Looking at solos of Charlie Parker, you can see that there is specific jazz language to use over each function of a minor chord. From there, play the first 4 bars as written, and improvise the last 8 bars, before moving on to a fully improvised solo after that. So what’s going on? The blues scale can be used to solo over both progressions. Soloing Over a I-IV-V, 12-Bar Blues Progression Using the “Major Approach” Now we will take a “major soloing approach” over the same exact 12-bar blues progression. There are a nearly unlimited number of ways to solo over a ii-V-I progression, but these three are some of the most common strategies. Let’s start out with the A major pentatonic scale: You notice that it’s the exact same pattern as that of the A minor pentatonic, only it’s shifted down 3-frets. But the tune may start to get boring! Improvising over minor 7 chords in jazz has a lot to do with context. There’s a mysterious extra something you hear in the solos of many of the blues greats – Clapton, Green, BB. We all know that using the minor pentatonic scale sounds bloody marvellous when taking a blues solo, but there are times when using that scale alone doesn’t quite cut it. Start by playing the solo as written.