The toms have good tone and body. Where can I purchase it? _wpaudio.enc['wpaudio-5fc361d698878'] = '\u0068\u0074\u0074\u0070\u003a\u002f\u002f\u0063\u0064\u006e\u002e\u0072\u0065\u0063\u006f\u0072\u0064\u0069\u006e\u0067\u0068\u0061\u0063\u006b\u0073\u002e\u0063\u006f\u006d\u002f\u0073\u006f\u0075\u006e\u0064\u0073\u002f\u0073\u0061\u006d\u0070\u006c\u0065\u0073\u002f\u0041\u0054\u0034\u0030\u0035\u0030\u002f\u0052\u004d\u0031\u002e\u006d\u0070\u0033';Recorderman The headbasket is a relatively open weave, made of just two layers of metal mesh. _wpaudio.enc['wpaudio-5fc361d69a7b6'] = '\u0068\u0074\u0074\u0070\u003a\u002f\u002f\u0063\u0064\u006e\u002e\u0072\u0065\u0063\u006f\u0072\u0064\u0069\u006e\u0067\u0068\u0061\u0063\u006b\u0073\u002e\u0063\u006f\u006d\u002f\u0073\u006f\u0075\u006e\u0064\u0073\u002f\u0073\u0061\u006d\u0070\u006c\u0065\u0073\u002f\u0041\u0054\u0034\u0030\u0035\u0030\u002f\u0058\u0059\u0032\u002e\u006d\u0070\u0033';Coincident (XY). Damn, I passed up the chance to get this mic yesterday because I had never heard it before… I am now 600km away from the store. I tried to keep the kick track’s level consistent in all these clips, but because some OH configurations naturally hear more kick, you will notice some level differences from clip to clip. I use the figure 8 pattern of the mics quite a bit. Almost every woman singer I’ve used a AT4050 with has loved the sound, and so have I. It’s the perfect ‘modern clear’ vocal mic to have as the antithesis to ‘vintage/vibey’ sounds. The three switches (pattern, pad, and filter) are nicely implemented. Manufacturer Part Number (MPN): AT4050 CM5 Warranties and Docs + Audio-Technica Warranty. Maybe someone dropped the newer one or I overlooked something in my comparison, but the off axis rejection was superior for the older 4050. Overall, the sound is nice, but bright, as the capsule is a bit smaller than most large diaphragm condensers. I can place one player in the null and get a really great sound of the source I’m pointing the mic at, without having to worry about an excess of the other player. The 4050CM5 is next in line. No hype, no BS, just really good sound. I think these would make excellent studio workhorse mics. These mics are more familar to my ear than any other, and I love love love the versatility that they employ. I’ll often record the vocal with a AT4050 in figure 8 to keep the guitar out of the vocal sound. Played MUCH harder. I couldn’t find any suitable ones so far that work well with LDCs, and this one looks fantastic! And they do seem to isolate the mics from mechanical noise, if my test of tapping the stand with a drum stick is any indication. The AT4050 was initially released in the mid-1990s, as the first multipattern condenser in Audio-Technica’s groundbreaking 40 Series. I really could end my section of this review by saying, “Buy an AT4050 or two (or four) and it will be some of the most useful tools you will ever own” and be done, but I won’t. I’ve used the AT4050’s as room mics on acoustic ensembles a number of times as well. And don’t get me started on the AT4047…I ended up selling the U-87 because of that puppy! This is the perfect mic for pop and r&b, rock singers sound amazing and many salsa, bachata singers seem to just SHINE with it too. The mics are rated at 17dBA self-noise, which is moderate compared to newer designs (see the lowest-noise mics on the Mic Zeitgeist page). The other was provided by Audio-Technica on an evaluation loan. Enter the AT4050. I think the AT4050 sounds good in most of these configurations. Often I’ll pair that with another AT4050 with its null pointed at the singer’s mouth. The three polar patterns, high SPL capability, and moderately low self-noise make the AT4050 versatile and unfussy — you won’t have to work to get a good sound. Listen to the silence before the drums start; there’s no fade-in on the track. You can hear how the AT4050’s fare in the samples below. This also becomes quite useful when recording singing guitarists. It is easy to operate them with a fingernail, yet they provide enough resistance that they don’t move even when the mic is rotated into the shockmount. Yet the mic has enough options to facilitate experimentation, enabling you to fine-tune or significantly alter what it hears. Blumlein captures much more room sound; the rear lobe of the Figure-8 pattern is hearing only the room. Wonderful, still the space I like, the air around the drums, but the harsh brassy sound the drummer was producing was not hitting the mics on-axis. I’ve used the 4050s on bigband horn sections, as OH, on choral groups,at bluegrass festivals, on college string ensembles, and in coffeehouse recordings. That record by Bloomsday still sounds like a private performance or living room concert, intimate and clear. He had also requested my brighter, louder, hihats (which I barely ever use… or encourage). You’re hearing the mics, the pres, and the room. Case in point: This week I recorded the same drum-set, with the same mics, in the same room. The issue with these wonderful old mics is that if they are not the right sound, it’s almost instantly noticeable. The grille does not deform when squeezed. The snare sound is crisp and clean. The heavy hands of this player came right through. Audio-Technica provided no compensation for this review. I just ran across this review… On Thursday the drummer with Husky? We’ve had a pair of AT4050’s on hand for a while, and took the opportunity to review them in ways that haven’t been well covered by the trade press before. (If you haven’t seen it, my in-depth comparison of drum overhead position techniques goes into much more depth on this topic.). Listening back, I’m struck that, at their worst, these mics sound honest. The boss decided to buy a few new things for the record, including upgrading from our AT4033 to an AT4050. I had the AT4050’s in Omni and they did exactly what I expect them to. All the Audio-Technica mics I’ve used, from the inexpensive 20 Series to the premium 40 Series, demonstrate the company’s commitment to providing excellent quality at every price point. T find any suitable ones so far that work well with LDCs, and works well on drums and voices. Super hard distributes and manufactures problem-solving audio equipment kick mic and for the... 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